He sits there thinking of all that has led to this moment. The long process of his personal development. His family history. Millennia of human history. Millions of years of human evolution. All the way back to amino acids growing self-conscious in boiling seas of ammonia. All the way back to stars forming, to the big bang. He washes his hands, sprays a little air-freshener around and
You are here, right? All your life has led to this moment. And not just you; your parents, and their parents, all the way back to Elvis.
Kind of a downer, isn't it? Evolution, schmevolution.
But there are things where you think, you think, wow.
I am referring, specifically but not exclusively, to solo cello music. Think of everything that has to come together for me to listen to Anner Bylsma playing Bach suites on a Stradivarius in my car on the way to work.
Anner Bylsma has to learn to play cello. Bach has to become a composer - someone has to teach him, and someone had to teach them, etc. Stradivari has to make a cello. It has to find its way to Bylsma. I have to somehow convince Bylsma to get into my car and play.
All these vectors converging at this point. All this human evolution leading to this sublime moment.
I hear Steven Isserlis is your man nowadays, for cello. My teacher neglected to let me know Isserlis was just in town recently, playing a couple concerts. He didn't tell me when Jorane was here either. Jorane, no big deal, but Isserlis.
I'm thinking, what's with the cellist names, anyway? Anner Bylsma, Steven Isserlis, Suren Bagratuni, Mily Balakirev, Pablo Casals, Yo-Yo Ma, Mischa Maisky.
To name but a few.
Do you have to have a posh name to play the cello? Not that I aspire to be anything but a crappy amateur cello player, so it's not like I'm crushed. Mig Living. Doesn't have that cello sound. OTOH, would you buy a book by someone with that name? I would. If I went into a bookstore, and there's a book by someone named Mig Living, I'd buy it. I'd be all, motherfucker, someone with my name published a book!
Actually, I'd probably leaf through it at the bookstore and think, dang, I could write better than that! I wouldn't buy it because I'd be jealous envious.
Does that bug you, how often people mix up jealousy and envy? It does me, worse than people who use the word "irony" wrong, because I don't always use it right either. You envy other people, you're jealous of your own stuff, get that through your heads, people who use jealous and envious wrong.
Solo cello music is one experience that makes me think about all the lines of evolution and fate that led to the moment, a close second to that is watching Funniest Home Videos on TV. With the music, you have an artist mastering her instrument and the family and cultural history that led to that. You have the luthier angle. You have the composer angle. You have the cultural scene that enables them to play, and perhaps the technological angle if it's a recording.
Here is this person playing, and no matter how great they are, they are standing on the shoulders of giants.
Usually, though, it's more like the Funniest Home Video thing. Gamma and I were watching that on TV at her grandparents' house recently. We were really howling. They used to show unexpurgated Tom and Jerry cartoons on TV when Beta was little, we used to howl like that. Gamma's grandfather came downstairs to see who was howling, that's how funny it was.
And I was thinking, this is another Anner Bylsma moment. Technology had to advance to the point that video/audio recording devices were easily portable. Economic development was necessary to reach the point that such devices became ubiquitous. Culturally, someone had to invent the birthday party, and the piñata, and the game of baseball or more specifically the baseball bat. And in this chaotic world, all these things had to converge. And boy, did they ever. Party after party, piñata after piñata. Little blindfolded kid after little blindfolded kid. Father doubled over in pain after father doubled over in pain.
All those people, with the exploding swimming pools, the crashing bikes, the psycho pets, the movers dropping pianos down stairs: standing on the shoulders of giants.
We're wasps on the shoulders of giants. Except wasps have elegant waists.
Bedbugs. We're bedbugs on the shoulders of giants. And when you look closely at the giants, if you squint, you notice that they're made of bedbugs too. As far as the eye can see. Bedbugs all the way down.
Posted at July 7, 2006 08:19 AMI cannot like you more. Rather: I keep thinking I cannot like you more and then you push me.
Posted by: anne at July 7, 2006 11:16 AMBedbug Isserlis releases his suites next Easter. Bylsma rools meanwhile.
Posted by: ruth at July 8, 2006 08:39 PM"Bedbugs all the way down."
I'm framing that and nailing it to my garret wall.
Posted by: Jessica at July 10, 2006 03:20 AMWe are. It's true.
And the evidence you site, the capricious, inexorable march of Progress and Time and all of those things that had to come together so perfectly and fluidly and even though some had a hard time.
I saw a woman trying to get to a chair. She looked like she was about to have a heart attack. It was at Schönbrunn, and they were about to start some fartsy concert. A chair. 1 yard from her. But a gate, and a security guard in between. A 75 year old woman, sweating and saying "Ach, Gott!", and the guy won't let her sit in the chair. "you don't have a ticket".
That's how arbitrary and yet aligned everything is.
I wonder if she dropped dead.
Posted by: scott at July 10, 2006 11:18 PM